PTE Practice Test 11 – Listening (Highlight Correct Summary)

Highlight Correct Summary – This is an item type that integrates listening and reading skills, and requires test takers to understand, analyze and combine information from a recording, and then identify the most accurate summary of the recording.


PTE Highlight Correct Summary – Authentic Practice Sample 8

PTE Highlight Correct Summary – Authentic Practice Sample 9

PTE Practice Test: Highlight Correct Summary

  • Listen to the following audio and choose most accurate summary of the recording.


[A]. Nostalgia for movies as they were made in the past converges to nostalgic exaltation of their production methods.

[B]. Rather than imitating the styles of studio-era movies in a bid to achieve artistic authenticity, filmmakers need to focus on inventive ideas and realistic themes.

[C]. Only the brilliance and resourcefulness of small minority of great filmmakers could overcome the hurdles posed by budget constraints in studio-era movies.

[D]. The veneration of the styles and production methods of low-budget movies of the studio-era as the ideal aesthetic standard is misguided.



TRANSCRIPT (Only for reference, it will not be given in actual PTE Academic Test)

Cheapness and its cinematic markers, such as hand-held camera work and low or high-contrast light, aren’t themselves guarantors of a tone of artistic authenticity. In fact, they’re often misused by filmmakers short of inspiration as badges of sincerity that take the place of actual artistry.  Click here to read full transcript

The theatrical realism of many older, ostensibly classic movies have dated terribly and reflect the very exclusions and compromises of the system that produced them. Only the ingenious exertions and inventions of a slender minority of great filmmakers could circumvent and override them. Yet, critics fetishize the styles of studio-era movies and take them for an enduring and immutable aesthetic standard – as if, with an appreciation of Shakespeare came a comparable fixation on lesser Elizabethans and a disdain for latter-day dramatists for not writing in iambic pentameter.

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